Maybe there’s really no such thing as a ‘lone’ soldier

One thing I know about Max Steinberg z’l is he was a Jewish citizen of the world who took action for our people.

Another thing I know about Max Steinberg z’l is that his actions brought together Jews of all kinds, pouring out from big and bigger rooms to comfort his mourning parents and siblings.

Is the ‘lone solder’ a solely Israeli concept?

As immigrants, chances are we’ve been, are related to, or have known a lone soldier at some point. A lone soldier is an immigrant who came without family (namely parents) and as such is taken under the wing of the many – the army, an adopted family, and organizations dedicated to his/her well-being.

Max Steinberg (24) was a lone soldier from LA. Sean Carmeli (21) was from Texas. Jordan Bensemhoun (22) was from Lyon, France. The three were killed over the last week in Gaza.

And between our family culture here and the Jewish rules of mourning, thousands have joined in paying respects.

One more thing I know about Max Steinberg: he was not alone.

 

What we can learn about the ‘innocence of children’ from Goodnight Moon

So here’s something. I received a link to the following article today (thanks cuz); a submission to the New York Times Draft blog for writers.

What Writers Can Learn From ‘Goodnight Moon’

Though I was certainly an English major, I’ve actually never, believe it or not, fully analysed an entire critique of Goodnight Moon before. And this piece, focused on writing technique, spoke to me as a writer – there are definitely interesting technique takeaways in there.

But today specifically, I took something else away too. It had actually already been on my mind. And that related to the perceived ‘innocence’ of children.

Here’s what the author, Aimee Bender, has to say about the way Goodnight Moon differs from other children’s books:

It works like a sonata of sorts, but, like a good version of the form, it does not follow a wholly predictable structure. Many children’s books do, particularly for this age, as kids love repetition and the books supply it. They often end as we expect, with a circling back to the start, and a fun twist. This is satisfying but it can be forgettable.

This had me circling back to what I, quite literally, woke up to this morning: my five-year-old son showing us a drawing he made of a boy, perhaps himself, choosing shelter during a rocket attack.

With everything going on lately – in the world, downed planes, civil wars, massacres, and at home, rockets, air strikes, terrorist kibbutz plots, collateral damage – I’ve been wondering lately how much innocence really is lost from children. How much innocence they have in the first place.

Are children as innocent as we assume, and if not, should we be pretending so?

Around the world, millions of children lose their innocence a lot earlier than say, middle class Western kids. And that includes plenty of American kids who are homeless, poor, hungry, and trapped in a devastating lifestyle.

How much innocence is there, really? Is it, say, a shelter of sorts, from an eventuality? Is it the lucky few who even get to experience the so-called innocence?

Is it our own regret at reaching the threshold of adulthood, passing through it, and forever exposing ourselves to the world we’ve actually been living in the whole time?

Back to Goodnight Moon. What always bugged me about it is that it’s not smooth. It’s not neat. The author lays out the room, and then goes on with the goodnight chant, which is perfectly natural, but the contents of the chant don’t match up. The pages aren’t parallel.

What a surprise, then, to find that there is a blank page with “Goodnight nobody” out of nowhere, sharing a spread with “Goodnight mush.” What a surprise, then, that the story does not end with the old lady whispering “hush” but goes out the window into the night.

Goodnight Moon feels like it should be a tidy tale. It’s not – it’s bumpy. What you expect doesn’t actually happen.

Perhaps that is a piece of children’s literature that speaks truth to children who are supposedly ‘innocent’ or blank slates. In fact, a little bit of a bumpy ride might feel natural to a small child who hasn’t yet neatly summed up the world as good vs evil.

There’s been talk lately about how much to expose to our young kids, how far to go to protect their ‘innocence.’ I’m just not sure how much of that is a construct of the safe situations we were lucky to grow up in. In which, eventually, we too lost our innocence.

Kids, even living on the safest terms, don’t exist in a vacuum. And I reckon they’ve figured out long before we think they do that life isn’t a Disney movie. So what should we have them think in times of stress? When things get ‘real’?

If it’s real for us, surely it’s real for them?

What do you think?

Israeli children and artistic expression: A war story in pictures

Note: We did not ask our five-year-old to draw anything. We didn’t know what he had been up to when at around 7 this morning he came up to us holding a picture he drew.

Turns out, it’s not a story about a disabled boy who has divorced parents.

“Why are there two houses?”
“One is our house, and one is the miklat.”
“And which one is he going to?”
“The miklat. There is sirens.”
“Why is the sky black?”
“It’s night.”
“Who is this? Is it you?”
“I don’t know yet.”

“You see this? <points to yellow in the sky> I wanted so this will be a star because it’s night.”
“Oh yeah?”
“But now it’s a rocket.”

————————————————————

“This is me and you on a boat in the sea, and that’s <muffled, sounds like Abba> cracking open the sky.”

“That’s what? Abba?”

“No, labba.”

“What’s  labba?”

“Labba is טילים (missiles).”

————————————————————

“Hey, what’s that?”

“What?”

“That symbol you drew.”

“I dunno.”

“Where’d you see it?”

“On Bebe’s shirt.”

“It means shalom – peace.”

“I’m drawing an x on it.”

“Why?!”

“Because I want.”

Nettles update: four months

Oh dear Nettles.

I had so much to say about this month. It’s been a time suck.

At the worst of times, I was at least able to hold you, kiss you, nuzzle you, see you. A luxury not everyone’s had with their loved ones in the last few weeks.

Another luxury I don’t take for granted is how focused you’ve become on your brother and sister. You perk up when you hear them; no matter how ‘busy’ they just were, you’re able to lock eyes and fully capture them. You turn them into mush; you make me understand why so many ‘third’ children come away the way they do.

We’ve taken a new turn, me and you: you manage to work your way around a carpet like a clock and I went back to working in an office after three years at home…

…all this, the same week our country found itself at semi-war. I left you with our trusted metapelet but felt an unhealthy cocktail of unease and guilt and doubt the first few mornings while rockets still threatened Jerusalem and Tzur Hadassah. Somehow, those first few days, the weather cooperated with my mood, creating an ominous backdrop of clouds shading disputed territory on my way into the most challenging city in the world.

But as I self-talked through my doubt during those labored car rides, I remembered why I’m doing this. I want to be my best version of me for you. I feel a responsibility to show you what an empowered, capable, productive woman looks like. What she sounds like. How she feels and loves.

So I’m out there, taking it in, day-by-day, bite-size.

Coming home to your smile and your laughing eyes makes it so much more digestible.

War time in Israel

It’s different this time. I guess it’s always different. It’s different this time because I don’t have enough fingers to count how many people I know, by first or second degree, who are called up, serving or waiting to serve in Gaza.

And whereas in the past I figured the odds were too out there, I guess this time… it’s all just too close to home.

I don’t have a lot to say. The heart is heavy, the stomach is lead. The beep beep beeeep of the hourly news is louder than before. The prime minister sounds different.

We’re meant to go about our day, otherwise the terrorists win, but that is a really unnatural sensation.

We smile, we softly laugh. Occasionally, we lift our heads at the sound of a phantom siren. We hug our kids even tighter in the evening. We hear explosions from 90 minutes away. We go to work in the morning.

We read the names of the dead sons and really, there is no sigh of relief when you don’t recognize the name.

Because even though it’s not your own friend or brother or cousin or coworker… it’s someone else’s.

 

Fifty-Two Frames: Women

After attempting a lot of set-up shots that just didn’t work, I made a Hail Mary pass when, while juggling 3639846 things, I noticed Bebe standing at the window.

<Click.>

Week 28: Women

After three years of working from home, I went back to an office this week. The week that war threatens my kids, I’m no longer a 5 minute drive from them. I’ve been struggling with this fact, and then I remember my original intent: I can show them, my boy or girls, what a woman can do. A woman can work, and parent, and move, and care, and thrive, and love, all in one day, all in the same moment. Since having a second daughter four months ago, the kind of example I set them has been a constant thought. And then there are moments when I see how my older girl can move, can care, can thrive, can love, that I realize… she’s on the path to becoming that kind of woman, too.